{"id":26358,"date":"2020-06-03T07:36:14","date_gmt":"2020-06-03T07:36:14","guid":{"rendered":"https:\/\/wames.org.uk\/cms-english\/?p=26358"},"modified":"2020-06-03T07:36:14","modified_gmt":"2020-06-03T07:36:14","slug":"modeling-disability-softly-making-the-invisible-visible","status":"publish","type":"post","link":"https:\/\/wames.org.uk\/cms-english\/modeling-disability-softly-making-the-invisible-visible\/","title":{"rendered":"Modeling disability: softly making the invisible visible"},"content":{"rendered":"<h3><a href=\"https:\/\/openscholarship.wustl.edu\/bfa\/74\/\" target=\"_blank\" rel=\"noopener noreferrer\">Modeling disability: softly making the invisible visible<\/a>, by Libby Evan (2020) Bachelor of Fine Arts Senior Papers 74<\/h3>\n<p>&nbsp;<\/p>\n<h3><strong>Research abstract:<\/strong><\/h3>\n<p>\u201cI am not asking for pity. I am telling you about my disability.\u201d &#8211; Eli Clare1<\/p>\n<p>In the following Bachelor of Fine Arts thesis statement, you will not find someone overcoming their disability. You will not find a tale of inspiration. You will not find a cure for ableism. You 2 simply will find an individual&#8217;s experience of disability\u2014 my experience of disability.<\/p>\n<div id=\"attachment_26374\" style=\"width: 230px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-26374\" class=\"wp-image-26374 lazyload\" data-src=\"https:\/\/i0.wp.com\/wames.org.uk\/cms-english\/wp-content\/uploads\/2020\/06\/Impossible-stairs-Libby-Evan-180x300.jpg?resize=220%2C367&#038;ssl=1\" alt=\"\" width=\"220\" height=\"367\" data-srcset=\"https:\/\/i0.wp.com\/wames.org.uk\/cms-english\/wp-content\/uploads\/2020\/06\/Impossible-stairs-Libby-Evan.jpg?resize=180%2C300&amp;ssl=1 180w, https:\/\/i0.wp.com\/wames.org.uk\/cms-english\/wp-content\/uploads\/2020\/06\/Impossible-stairs-Libby-Evan.jpg?resize=90%2C150&amp;ssl=1 90w, https:\/\/i0.wp.com\/wames.org.uk\/cms-english\/wp-content\/uploads\/2020\/06\/Impossible-stairs-Libby-Evan.jpg?w=325&amp;ssl=1 325w\" data-sizes=\"(max-width: 220px) 100vw, 220px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 220px; --smush-placeholder-aspect-ratio: 220\/367;\" \/><p id=\"caption-attachment-26374\" class=\"wp-caption-text\">Impossible stairs<\/p><\/div>\n<p>My invisible disability puts the medical model and social model of disability in constant tension as I navigate everyday life living with Chronic Fatigue Syndrome and severe arthritis. Both models seek to find blame for disability, whether in searching for a medical cure for illness or putting blame on society at large for creating barriers. Instead of abiding by these limiting models, I cope with disability in my own way. I embrace the contradictory notion of having significant physical limitations while giving into the pressures of our capitalist society to physically produce.<\/p>\n<p>I make my own models through accepting my identity and embracing the human-like, huggability of soft sculpture. As a sculptor, I do not need to find blame through theoretical models of disability. Instead, I make literal models representing my lived experience. I turn my invisible, private experiences into visible, public ones.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Modeling disability: softly making the invisible visible, by Libby Evan (2020) Bachelor of Fine Arts Senior Papers 74 &nbsp; Research abstract: \u201cI am not asking for pity. I am telling you about my disability.\u201d &#8211; Eli Clare1 In the following &hellip; <a href=\"https:\/\/wames.org.uk\/cms-english\/modeling-disability-softly-making-the-invisible-visible\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[182,3465,5931,5932,2911],"class_list":["post-26358","post","type-post","status-publish","format-standard","hentry","category-news","tag-disability","tag-disabled-artists","tag-libby-evan","tag-sculpture","tag-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qkYK-6R8","_links":{"self":[{"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/posts\/26358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/comments?post=26358"}],"version-history":[{"count":1,"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/posts\/26358\/revisions"}],"predecessor-version":[{"id":26375,"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/posts\/26358\/revisions\/26375"}],"wp:attachment":[{"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/media?parent=26358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/categories?post=26358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wames.org.uk\/cms-english\/wp-json\/wp\/v2\/tags?post=26358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}